Showing posts with label High Quality Flannel. Show all posts
Showing posts with label High Quality Flannel. Show all posts

Monday, June 22, 2009

Bullets in Madison Rocks at Reggie's

I'm chatting up a brunette waitress in a dive bar in downtown Chicago. Her eyes flicking behind me, constant sighs, repeated shifts from leg to leg and scowls of irritation all spell out entrancement to me. I am seductive. I am damn seductive. I'm so seductive, I could smooth-talk myself into bed. And I may have to, if this dippy broad doesn't get the hint in about ten seconds.

"I can totally get you backstage passes," I tell her, pausing to take a sip of my Cosmopolitan and adjust the collar of my Scooby Doo t-shirt. "I know the band."

"I work here," she says.

"Well, there's all kinds of backstage," I say after a moment's pause. Then I waggle my eyebrows. "If you know what I mean."

It's clear from her irritated look and imploring glances at the nearest bouncer, a guy with "Your Ad Here" tattooed on the back of his shaved, bull-like head, that she doesn't know what I mean, or else she'd be tearing my clothes off with her teeth right now. This irritates me no small deal. Women. Jesus. It's like they get more obtuse about blatant come-ons as they age. I shift my seat, take another swig of my drink, and try changing tacks.

"I mean a different kind of backstage pass," I say, tempted to draw it out on a cocktail napkin. "In my pants."

"Yeah, I got that."

"Anal," I say, pressing the point.

"I make it a point to never get involved with guys whose hair is thinning on top," she tells me, and my hand immediately flies to the crown of my head.

Damn her, I think as she walks away smirking, she's just toying with me. Or is she? I scamper over to a mirror on the wall, furtively examining my scalp and trying to decide whether the glaring white patch I'm seeing in the hairline has only just appeared, or whether it's been there for years and I just never noticed. My head is turning this way and that. My neck starts to hurt. My hands are shaking and there's the sour taste of approaching-middle-age desperation beginning to enter my mouth.

This can't do, I decide. I need to be up front and mature about this.

I immediately spin around and find the waitress again. I tap her on the shoulder. She turns. Recognizes me. Narrows her lips and waits.

"Bitch," I say calmly.

At that point, the bouncer approaches. I immediately tear off my Scooby Doo t-shirt and strike an instant flexdown. Pandemonium erupts.

--------------------------

If God really existed, I wouldn't have to keep following this goddamned band around the entire Chicago and suburban area into every two-bit dive and two-for-one-drink special club that agrees to hire these schmoes. But with the upcoming release of their new album, We Became Your Family When You Died, Bullets in Madison has been getting heavy airplay, and every screaming, frizzy-haired "Win a Dream Date with Brendan Losch"-hopeful teen (and not a few adults) has been demanding more and better media coverage. More, I can definitely supply.

So, after an early Father's Day evening out getting belittled by my immediate family in the Western suburbs, I climbed into my 1978 Pinto and prepared to make the forty-plus-mile journey to Reggie's, where they were scheduled to take stage at eleven p.m. My father looked dubious as I prepared to leave.

"You're not going to make it," he said. "It's late."

"Only for the old," I assured him while shrugging into my Wham! concert T-shirt and spraying my slowly-emerging mullet. "For the young and hip, the night is so not old. You just don't understand. You're not New Wave."

"Gregg, you're thirty-four."

"I'm thirty-three," I corrected him. "And I be chillin still."

"I still think you ought to at least have some coffee and take the train."

"That's what your mother said," I slurred wittily, backing out of his driveway and managing to carefully and expertly knock over his mailbox and garbage cans. My rapier wit had served me yet again, so I decided to reward it by parking the car at a nearby station, grabbing some coffee and taking the train downtown. Ha. Shows my father who's the boss of me.

During the ride, I snoozed and recharged for what I was sure would be a no-holds-barred one-in-a-million musical experience. At least, that's what it was the last time I saw them play. Bullets in Madison uses such a cacophony of musical appeals, they're difficult to categorize, but thanks to my expert training at the School of Writing Music, I can do so: They're Unique. However, I was worried that that might not be enough to satisfy my editor, which was why I was actually making the trip to the city to hear them. Otherwise, I would have just stolen the playlist, gotten a few sound bytes from the bar owner and made the whole thing up while drinking beer outside in my neighbor's kiddie pool. But music journalism is a harsh mistress and can sometimes be unreasonably demanding.

One hour and twenty minutes later, I staggered into the bar, Ready to Review. The first thing I noticed upon entrance was that every single dancer in a cage was not only thematically dressed (the Cheerleader, the Cowgirl, the French Maid), but could also pass for a pubescent.

My interest flared, then got confused.

Crap. I'd wandered into Roscoe's Titty Bar by mistake.

So it was another three hours (and several hundred dollars) before I made it to Reggie's, where, thankfully enough, the audience had spent so much time hectoring the previous bands and playing Beer Pong Twister, that BiM was only just setting up their equipment. Good. Problem solved. Starting over:

I walked into the bar, Ready to Review. I strode confidently over to the band, notebook in hand, fake smile plastered on my face, wiping the stripper's lipstick and boob powder off my cheeks, ready to do or die for indy Chicago rock journalism.

The keyboarder saw me coming. "Oh fuck me," he muttered, diving under the drum set and pretending to examine the floor beneath it. The rest of the band immediately looked as busy as possible doing the same.

"Come on out, you Gen-Next assholes," I raged, thumping the drums with the mike stand. "I know you're under there."

Evidently, the band conferred for a while, exchanging repartee like, "No, you go get rid of him," and eventually, one of the guitarists emerged. "Okay, make it quick," he said. "We've got to do a soundcheck. And order another round of Fuzzy Navels."

I snickered.

"What?" he demanded. "A lot of guys drink Fuzzy Navels now. They've come a long way."

I snickered again.

"Goddamn it, let's get this over with!"

"Well, I'm here doing another profile piece. I don't want to make the evening more stressful to you, but we just picked up another ten readers, mostly friends of my aunt, and they want to know about the new album."

The guitarist visibly gulped. A wiser head than I thought. My aunt's legions of fans can make or break a band in about five seconds. Look what they did to Menudo in 1985.

"Anyway, my editor wants two hundred words about either the show, the new album, or, if not that, transcriptions of the graffiti on the walls. So say something witty and engaging about it right now." With that, I whipped out a tape recorder and shoved it in his face. "Now, damn you."

He stammered and swallowed. "For the new album, we wanted to explore some new ground. We were looking to bridge the gap between the esoterics and objective message of our music, and found this was the best way to do it." He looked at me hopefully. "Okay?"

"Whatever. More." I pointed at my watch.

"Well, we found that the more we expected of ourselves, the more we managed to perform. It's like listening to the sounds of silence. It's a long way to the top if you want to rock and roll. Come on, feel the noise. I don't know, shit, just give it a good review, will you? I've got rent to pay." The guitarist tossed aside his copy of Rock Music Clichés to Give the Critics and looked at me imploringly.

"Can do." I winked at him. "Get up there and kick some ass."

And they did. Or so I would imagine. I couldn't say for sure since, for the entire duration of the show, I was getting pummeled by a bouncer named Moose over alleged improper advances made towards Tiffany, the waitress of the brunette locks and disparaging comments about putative receding hairlines. As I spat teeth and bled internally, however, I could hear a few new songs in BiM's lineup that hadn't previously made the playlist at any of their previous shows. The new songs, it would seem. And you know what? That nimrod with the guitar was right: they really do blend feeling and thought. They really do emote. It really is a long way to the top (if you want to rock and roll).

So in conclusion, fans would do well to run, not walk, to the nearest library, where you can grab...a book. You know, because people aren't reading enough and shit. Also, jump on to a computer before the library lady yells at you about registration, log on to bulletsinmadison.com, and put in an advance order of We Became Your Family When You Died, out sometime this summer. Because if the other songs are anything like the ones I heard this weekend, then the whole album is going to sound a lot like those songs. Until then, Dear Readers, I remain, as always, your rock music appreciation superior.

Next Week: Whatever Did Happen to Menudo? Aunt Sally Tells All.

Sunday, March 01, 2009

Bullets in Madison come to Abbey Pub

by db, classical music critic

Watching Bullets in Madison soar through a half dozen or so of their hits on the crowded stage of the Abbey pub is a lot like watching a band that practices a lot get together on a Saturday night to entertain performers at a faux Irish bar.

Stop and absorb that analogy for a moment. Got it? Good.

The band, which fires no guns and, as near as I can tell, doesn't even know where Wisconsin is on a map, took stage at nine p.m. At that point, I'd consumed four or five beers, so admittedly, I was a bit hazy. Still, I'm sure they played some kind of music, which is what they were supposed to do. So, at least they deliver, right?

Me, I was testy because I'd recently dropped my cell phone in the toilet and wasn't prepared to purchase a new one any time soon. So all the texts I would have sent the band during the show couldn't go out. Not that they'd appreciate them. Every time I send a message to one of them, they're all like, "Hey man, I'm trying to play a song up here! Do you mind?" Fame. It corrupts many an aspiring artist, I tell you.

Also, I'd gotten a parking ticket. My car had gone three minutes over the meter, which wound up costing me fifty bucks. Fifty! Literally highway robbery. Except I was on a city street, so I guess it's...city street robbery. Clever.

So the ticket, plus a new cell phone, plus the five or six beers and the ten dollars to get in the door, had me expecting perhaps more than was fair of the six musicians with the eclectic vibe and esoteric mixture of melodies and musings on the potentialities of feeling in an increasingly mechanized world.

And yet, they still delivered. BiM soared through their set without one screwup, blown amplifier, mistimed stage dive, rodent-head-biting stunt or smoke machine malfunction. They sang. They played instruments. I'm relatively sure I heard a drum rhythm in the background, and at one point, the lead singer even looked towards the audience. If that isn't showmanship, then I ask, what is?

I got to speak with the band after the show. "Well, we really thought people enjoyed it," one of them said. "We're releasing a new album in the next few months or so, and we're excited that people want to hear from it."

"I just couldn't believe it was fifty bucks," I said, pretending to take notes on his drivel. "Who the hell does Mayor Daley think he is? More like...Mayor Pay-me. Ha! Hey, that's good!"

"Anyway, we're always looking for a new way to do our kind of music," he continued. "It's important to us to keep it fresh. Without that, the juice stops flowing."

"That sounds great," I said, clapping him on the shoulder and causing him to spill his beer. "Hey, you think you can introduce me to Chris Martin?"

"I don't know him."

"You don't? Wasn't that him on the keyboards?"

Since I couldn't get another interview after that, that concludes this review. I sincerely hope my editor delivers the moolah on time, as I've got this damn parking ticket to pay.

I just got off the phone with my editor, and she says no way on the money unless I come up with a killer ending to this review. So here goes:

"Bullets in Madison remains a band that continually hones its act. Through their words, through their melodies, through John Morton's gravitas and the band's overall appeal to our finer sensibilities, they ensure our constant attention, and remain a promising star in the cluttered cosmos that we call local Chicago rock. Sooner or later, this star will go supernova. Until then, this is your friendly classical music critic saying, I'm going to enjoy watching their star rise."

Next week's column: Robert Fucking Plant. And maybe the rest of Pink Floyd, if I'm lucky.


Before showtime, Bullets in Madison meets to figure out where the hell they put their instruments.

Monday, August 25, 2008

((Insert appropriate noun here))head that I am...

It was supposed to be a walk in the park for a Monday morning lesson.

Famous last words.

I gave them Old English riddles out of the Exeter Book. It's the ultimate sleight-of-hand; getting through British literature and history is an uphill slog for a lot of these guys. Oh, I put on my dog and pony show to be sure, finding connections with their own mundane lives and the like, but in the beginning, it's all guts, glory and gold (Beowulf, Deor and other titles that, in my infinite stubbornness, I do not take off the syllabus). Today, it was just a riddle. A stinking riddle. That's it.
I saw a tree towering in the forest,
Bright with branches, a blooming wood,
Basking in joy. It was nurtured by water,
Nursed by soil, till strong in years,
Its fate snapped, turned savage--
It suffered slash, rip, wound
Was stripped in misery, chained dumb,
Its body bound, its head wrapped
In iron trim. Now it muscles a road
With head-might for another grim warrior--
Together they plunder the hoard in a storm
Of battle. The first warrior swings
Through dense threat, head-strong,
While the second follows, fierce and swift.

In case you're a complete, you know, idiot, the answer is a "battering ram."

"A what?" rumbled a history buff in the front row.

I made idiotic pantomimes with my arms. "A battering ram. For god's sake, you know, one of those large rams made from a tree you used to bust through a castle door!" Turning impatiently, I went to the board to do another one of my Award Winning Illustrations:




"See? They tied the ram to a fulcrum, and then swung it against the door."

"Yeah, but the riddle says its head was wrapped in iron. What the hell kind of tree is that?"

"No, see, Johnny, you've got it wrong. Because you're, you know, an idiot. They used metal to gild the head, so the ram would have more weight."



Johnny starts to get it. So do the wits in the back row. Everyone is getting it except for your Friendly Neighborhood English teacher, who decides they're just too groggy from the weekend to grok the idea of ironwork in the fifth century. So he adds the coup de grace:



That little mark on the tip was as far as I got. Then I stopped. Realized what I had drawn. Didn't realize earlier because I'm, you know, an idiot.

Cursed, erased hurriedly.

Too late. Bedlam.

Later, a colleague stopped me in the hall. "They really sounded involved last hour," she said, in a tone one part sarcastic, two parts disbelief. "How did you get them so engaged?"



Look at me, honey. What do you think?

"Oh. Another mistaken phallic entendre?"

Damn right.

Sunday, August 03, 2008

My Dumb Vacation

Click here if you missed Part One | Click here if you missed Part Two

Part Three: The heady froth of Midwestern Culture. Plus, infant expectorations.

There are fewer things more depressing than approaching the darker side of your mid-thirties wearing a Cult Rocks! t-shirt, cutoff jeans and sporting three days' worth of stubble, only to throw up on yourself.

Trust me on this one.

We'd made the Black Keys concert by 10:30 p.m. Had a few beers. Had dinner. Had a few more beers. Had a breath mint. Had another beer. And at this point, I was steady as Senator Kennedy during a floor vote. I could have piloted a B-52 stealth bomber while playing chess with a chimpanzee.

But then Dewey (without whom there can be no late-night trip to a Black Keys concert, I might add) suggests we should eat something.

"Why the hell should I," I slur confidently. "What I really need is another drink."

Dewey tries to explain the concept of solid food absorbing alcohol, thus acting as a catalyst for its entrance to the bloodstream and further enhancing the pleasures it has to provide. I wave away his suggestions as if they're a swarm of gnats, but finally give in when he offers to pay for my 35-cent cheeseburger if I pick up the next round of Jim Beam on the rocks. I eagerly agree. Sucker, I think to myself smugly.

An hour or two later, we're taking what I like to call the Drunken Royal Express: the Blue Line to Cumberland, where my car sits, waiting like the world's most patient wife after Last Call. The landscape outside the windows is suddenly swerving and dipping alarmingly. It's not the beer. It's not the lateness of the hour. It's not the Jonas Brothers currently playing on the speakers (probably). It's Mickey D's, angrily battling with my gut for domination. I forgot how lousy their food is once you're not an undergraduate any more.

I get up, grasp onto a nearby pole, and try to fix my eyes on a stationary point: the floor. Which also, as it turns out, dips and sways alarmingly. When the train stops at Montrose, several stops away from our final destination, I turn a pleading gaze on Dewey. He sighs, gets up, and we exit. I just barely manage to make it to the platform edge, my 35-cent cheeseburger charging like the Germans at the Battle of Stalingrad. I pause, fighting for control. I concentrate. I summon every ounce of willpower and self-control.

Brap. My Cult t-shirt has definitely looked better.

Dewey stands ready behind me with an ace up his sleeve: a Black Keys Rock! t-shirt, newly purchased at the Metro a scant few hours beforehand.

"You're true blue, pal," I say, drawing a hand across my mouth.

Dewey shrugs modestly. "The day I don't help a pal," he says, "is the day I can't remember where he parked. And you're not sleeping on my couch tonight, so don't even ask."

Is there any substitute in this world for a good friend? You tell me.

-----

The last I left you, Dear Reader, I was standing in my aunt and uncle's front driveway, teetering from exhaustion, ready to embark on a two-day binge of theater and Michigan culture. Which I did. I saw Julius Caesar with my family, fighting the urge to drop off for the first two acts, then watching wide-eyed as the remaining players in the tragedy ran themselves on their swords. My favorite scene: Brutus tells Lucius to hold his weapon, leaps upon it, and yells, "Sweet, merciful crap! I said the sword with the black handle, dumbass!" The blood spouting from his gut looked like Buckingham Fountain during the Taste of Chicago--how in hell they get such great special effects is beyond me. I also liked how Lucius managed to turn pale--how did they do that? with trick lighting or something?--and retch visibly as he was hauled away. I don't remember that line, though. Probably they cribbed it from a Baz Luhmann unused script or something.

That night, while my aunt and uncle stayed home and went through my bags for their New York gifts, I went back for All's Well that Ends Well. I got to see them rehearse a bit beforehand due to a special Discount Rate that I purchased without even knowing it. When Helena comes out to do her repartee with the Count, it got pretty entertaining:
HELEN: You have some stain of soldier in you: let me
ask you a question. Man is enemy to virginity; how may we barricado it against him?

PAROLLES: Keep him...uh, wait a minute, I know this line. Keep him...out! That's it!

HELEN: But he assails; and our virginity, though valiant, in the defence yet is weak: unfold to us some warlike resistance.

PAROLLES: There is, uh, none: man, sitting down before you, will...uh, do something nasty.

HELENA: Bless our poor virginity from underminers and blowers up! Is there no military policy, how virgins might blow up men?

PAROLLES: Uh, forsooth...thou...Hah! I get it now! "Blow up men," that's good!

HELENA: Jesus Christ, Franklin, learn your lines already, will you?
Ah, Franklin. You put Sir John Gielgud to shame.

The next day's visit to some high school to watch Fame! The Musical is a bit muddled in my memory. I don't remember any soliloquoys. Or dramatic monologues, or iambic pentameters. I do remember my uncle grumbling, "Somebody better run themself on a sword, or I'm outta here." And oh yeah, there was something about a Performing Arts high school. I gots to get me one o' them j-o-b's. Looks like all you have to do is periodically break into song. "These are my children...please take them away." I can see the rave reviews as I close my eyes.

And then it was time to take a train ride home. For four hours. Only to sleep for four more hours, and hit the Black Keys concert. And then sleep for four more hours. And then a drive to a wedding. A six-hour drive. To Saint Louis. Through...the Midwest.



Oh dear God. Not this again.

I hadn't been to a wedding in years where I had absolutely nothing to do but show up well-dressed (check), bring a gift (...hocked it) and dance with Kim and/or assorted female relatives (hey, it's not my fault every time a good song came up I had to go to the bathroom).

But the real scene-stealer, of course, was my nephew James.

James is the first newborn into my family since my brother was born three-plus decades ago, so of course he commands a lot of attention. He's already outperformed both my brother and myself at his age: he can say "da," he can clap, he can roll his finger across his lips and make a burbling sound, he can balance a checkbook, and he can even sort of dance, provided someone else does the motions and movement for him. At his age, my brother could roll onto his back. At my age now, I can barely avoid discharging fast food onto cheap concert t-shirts.

So it was no surprise when he managed to upstage practically every setting he appeared in. But the little guy got sick, probably due to the overpowering 100-degree heat (why the hell aren't August weddings outlawed already, anyway?) and so he wasn't too happy to put in an appearance at the church.

When the sitter and Kim arrived from the hotel with him in tow, I volunteered to get him from the car. My brother, who was standing at the wedding and was currently ushering, looked grateful. His wife didn't object. The sitter, whose last nerve was quickly unraveling, readily acquiesced. The only one who wasn't apparently grateful was James, who was howling lustily from the confines of his car seat.

Poor kid. He looked like an angel. A sweaty, full-throated, red-faced, two billion-decibel-loud seraphim.

I felt my heart fill to the brim with love for my nephew as I beheld him at his neediest. No fear, dear one. Your uncle is here.

I managed to unbuckle him, draw him out, hold him close. "I know, little guy," I crooned. "You just need a little understanding and love, and that's exactly why I'm..."

Brap. The little jerk threw up all over me.

"Well of all the..." Splutter splutter. "Somebody get this kid off me before I..." Splutter splutter. "Nobody ever told me babies vomit..." Splutter splutter.

My dignity thus discarded for the time being, I tucked him under my arm, sprinted to the church and lateraled him to my brother. As I grabbed the nearest box of wipes to rescue my good suit from baking in baby vomit, James shot a smug look in my direction. And as the bridal party descended on him to ooh and aah, clucking sympathetically over his soiled clothes, James leered appreciatively at his ready good luck, and my crappy situation.

Nephew: one. Uncle: zero.

I returned to my church pew sweaty, smelling a trifle vomitus and looking like I'd just ran a 10-K. My beloved, the Woman who Holds the Bottle Opener to the Beer that Is My Heart, cast a critical eye at the puke on my lapel. "Wow, twice in twenty-four hours?" she asked sardonically. "What are you, going for a record?"

Damn it. Got to stop telling her the stuff that embarasses me.

The ceremony ran longer than expected, so once we got assorted family and friends back to the hotel, it was time for a little drinky-poo. One turned into several, which turned into dinner, which then turned into a full-blown dance floor at the reception cum open bar. Charlie and the Nostalgia Number did live music, and it was right in the middle of a passable rendition of Journey's "Don't Stop Believing" that James made his triumphant return: cleaned up, bathed and in a new set of clothes. I, on the other hand, was wearing the same befouled suit, rumpled hair and harried manner I'd had before, relying, in the absence of soap and water, solely on vodka and tonic to disinfect myself.

"He is so cute, gushed a nearby bridesmaid.

I stood up straight, puffing out my chest in pride. "I'm his uncle, you know."

"You've got vomit on your lapel," she said without even looking in my direction. James, apparently overhearing, sneered at me.

A half hour later, I borrowed my nephew and stuck a finger in his direction. "Kid, you're lucky you're so damn cute," I growled. "Or you'd be swimming with the fishes right now."

He acknowledged my riposte by grabbing my outstretched finger and dribbling on my shoulder. Nephew, two; Uncle, zilch. My heart melted.

"All right, you get away with it this time. But when you grow up, you're taking me to a Black Keys concert. I'll explain why later."

Epilogue:

Setting: New Year's Eve, 2069. Kim and I are sitting in the living room, poring over old photo albums. We've just celebrated our first twenty-four hours of wedded bliss. Yes, late bloomers are we, but you can't put a label on love, and now, as the fire on the TV screen crackles cheerily while the pollution and depleted ozone layer decimates the landscape outside, we exchange memories of Days Gone By, occasionally clasping hands and downing shots of Jack Daniels.

Me:"Look at this one. This was what's-his-name's and whosit's wedding that one summer in that city with the arch-thing, remember that place? You were so lovely."

Kim: "And you were a hunk stud. Oh, and look at James. Who'd have thought the future President of the United States would do so much upchucking on someone not working for the UN?

Superficial, worldly-wise laughter ensues here. Maybe some geriatric groping on the side.

Kim:"And here you are, warning him not to throw up on you again. Just so cute!"

Me:"And here he is, dancing with a bridesmaid."

Kim:"Is that the bridesmaid you were flirting with?"

Me:"Flirting? Me? Hell no. I bragged about being his uncle."

Kim:"Sure, to a hot bridesmaid. What about all the old ladies hovering around him?"

Me: "Listen, woman, know your place! The Marriage Santification Act, passed by President George W. Bush hours before he left office (HR 2172-2 Section Seven Paragraph 2), makes it a crime for me to be spoken to like that in my own home!"

Kim: "Your home? You damn mooch! When are you going to start pulling your weight, get a job and pay me some rent?"

Me: "I told you, I'm in a transition period!"

Kim: "And I told you, I was only allowing five decades for you to find a job singing in a musical. I don't care how senile you are now!"

Me: "Why you...you...you..." Brap.

I forgot. Nonagenarians shouldn't drink after only poached eggs and Soylent Green for dinner.

Geriatric bickering ensues. By New Year's Day, 2070, we're filing for divorce, and I'm sleeping on Dewey's couch. Guess we should have seen that one coming.

Monday, July 28, 2008

My Dumb Vacation

Click here if you missed Part One | Click here to go ahead to Part Three

Part Two: The glory of the open road...with no rest stops...

Rental car agents are retarded. Why would I need insurance? I have insurance, not to mention a license, two working eyes and a swank set of wheels just waiting for me.

"I just don't think it's a good idea to drive a convertible cross country," she was telling me for like the fiftieth time. "They're not fuel efficient, and there will be lots of wind resistance."

"What there won't be any of will be babe resistance," I said nonchalantly. "Can you just picture me behind the wheel of that Mazaratti? I'll have to beat them off with a stick."

Unfortunately, the Mazz was taken, so I was stuck with a Ford monstrosity. No matter. It's late July, there's a Michigan Shakespeare festival starting in fourteen hours, and the open road is beckoning me. As the Bard himself might paraphrase, The weight of this sad time I must obey/ Speak what we feel, not what we ought to say:
What I feel: "I am going to tear this road apart!"
What I ought to say: "Screw the festival. How about a hotel and ten hours' uninterrupted sleep? In a, what do you call it, a bed?"
Heresy. Sheer heresy. I've been going to the Michigan Shakespeare festival for nigh on four years now, and each time I go, I remain undissapointed. Oh sure, those high-ended cake eaters in the Big City can have their Shakespeare in the Park, their bi-yearly trips to England's Globe Theater, their BBC subscriptions, blah blah blah. Give me Jackson Community College any day. They know how to do it: Merchant of Venice in a 1920s motif, Henry V circa World War I style, Hamlet as a bitchy college dropout. I'm addicted, I tell ya.

Of course, no small part is feeling like a bigshot whenever my aunt or uncle leans over, nudges me, and whispers, "Who's that guy again?" If I didn't know better, I'd swear they were playing the innocent in an effort to puff my deflated ego. Ha. Not likely.

So there's no way I'm about to miss this cultural phenomenon just because a mere 800 miles or so separates me from my loved ones and the Bard. Which is why I'm renting a car to drive the distance in a marathon ten or twelve hours' time.



The car rental place is dubious about whether or not I can make it. I've got three days' worth of Manhattan living weighing me down; I hate driving; I can't remember which states border Michigan; and my hand is visibly shaking as I sign the rental contract. "We've got road maps available, you know," the agent tries again. "We can even tack them onto the cost of the rental. You won't be out anything extra."

"Look, honey, this isn't rocket science. As long as I drive towards the setting sun, I know I'm going west, right? Nuts to thou."

Outside, the sun is glaring into my eyes, and a parkway looms before me. Oh crap, I thought to myself, which way is it to the turnpike? No, can't show weakness in front of these schmoes. Got to hit the road with confidence.

Getting out of New York City, as it turns out, is a lot less complicated if you avoid the city altogether. For me, this meant a leisurely detour northwards on 678, past Yonkers, losing the freeway in Connecticut (Highway 15), reconnecting with 80 way up north, and recontinuing westwards a mere three hours after I left the airport, all the while passing deformed banjo players grinning at me and pointing towards river tour trip signs. What, me worry?

I managed to keep a more or less consistent log of the journey in hour form. Of course, they tell you writing anything while zipping along at upwards of 80 mph is dangerous, but I think the record speaks for itself in proving this a bunch of crap:

Hour One Feeling good. The sun is out. The grass is green. Never traveled cross-country solo before. Only on those Florida road trips with Tso and Todd and all them. Hmm. Wonder what those guys are up to? I should call them. Anyway, I'm off to see America!



See? Isn't it grand?

Hour Two: Hmm. Sun being out not such a great thing when it's right in your eyes. No matter. I'll play the radio to distract myself.

Hour Two point Five: God, radio sucks out here. Didn't Debbie Gibson retire her career a decade ago?

Hour Three: What the hell are they talking about, no Starbucks drive-ups? This is the East coast, right? It's not? I'm in rural country? Then why is Debbie motherfucking Gibson still playing so much?

Hour Four: God, my back is killing me. Must keep driving, though. Got to escape...Debbie Gibson.

Hour Four point five: Am I even on the right road? Bah, what am I, a sissy? Men blazed trails out here without any maps! Of course, a lot of them wound up eating each other to survive...

Hour Five: I should probably stop over and eat something. Bah, no time. Running out of time before the first show starts. Maybe I can rehydrate with the windshield wiper fluid. Got to stay sharp. Revel in the glory that is the open road:



Hmm. Seems sort of monotonous. Hope I'm not lost.

Hour Six: That bastard Tso. "Oh, you should go out East." "Oh, you should go to New York." Now I'm driving this ridiculous trip. It's his fault. Everything is his fault. I'm going to kick his ass when I see him next. And what does he mean, the news is left-leaning? I'll lean on your left, asshole.

Hour Six point five: If I had to, I could eat Tso to survive out here. Better not tell him that.

Hours Seven: God, the Midwest is so boring. Can't believe there isn't a landmark or a theme park or something.

Hour Seven point two: Wait a minute...what's that in the distance?



Hallelujiah! Something to actually say I saw while seeing America!

Hour Seven point two two: Almost there...



Erm. That can't be right. Maybe I need sleep.

Brief interlude for sleep in Youngstown, Ohio, where my mother and uncle were raised. I haven't been to the town for about fifteen years. The last time I was out here, I was a whiny teenager with a face full of acne. Now I am approaching my mid-thirties with a back built like a child's tower of blocks. While I should be sleeping, I examine my hairline to see if the drive is making it recede. As near as I can tell, it is.

Hour Eight: Going on three hours' sleep. Fueled by coffee. Drink it in lieu of food. Go go go.

Hour Eight point two: Damn. Need to pee.

Hour Eight point three: Gah. Too much coffee.

Hour Nine: Oh Christ, how much longer? And how much longer until I can get some more coffee? This sucks.

Hour Nine point one:



I hate this place.

Hour Ten: "Hello, Tso? When I eat you? I'm starting with your eyeballs, fignuts." Click. Showed him.

Hour Ten point five: Standing in aunt and uncle's driveway. Seeing double. Need to pee. Need to eat. Need to sleep. Five years taken off my life. But I made it. Victory is mine.

Aunt: "Nice to see you. Now shake a leg. Your uncle's car isn't going to wash itself."
Uncle: "You drove all that way for a lousy play? What a rollicking social life you must have."

Okay. All right. Vengeance will be mine.

Next: Part Three! The exciting world of Jackson Shakespeare! A beach bar with no beach! A Broadway musical in a high school auditorium! And I suck out Tso's eyeballs and eat them with some fava beans and a nice Chianti.

Friday, July 25, 2008

My dumb vacation

Click here to read Part Two | Click here to read Part Three

Part One: Brooklyn- and Manhattan- and Staten Island-bound

I leaned over to the cabbie in front of me. We were flying down 49th Street, and while the streets were hustling and crowded, it looked suspiciously bereft of hookers. And bookstores with cheap and alternative titles readily available. But mostly hookers.

"Where can you get a little action here?" I asked innocently. "I mean, I'm just wondering. Say a guy wanted, I don't know, a light spanking in cooking oil while a Rachel Ray impersonator cooked broccoli pasta in front of him. How would that happen?"

The cabbie turned a little to glare at me. "Linguini broccoli pasta?" he barked.

"Well, duh. Is there any other kind?"

"You want Otasman's place," he said, turning his attention back to driving.

Well, I should have seen that coming. I paid him, got out, and immediately jumped into another cab. "Where to, pal?" came floating from the front seat. Ah, New York cabbies. Such a wonderful versatility with the spoken language.

"I'm looking for a place where the missile can go into the silo, if you know what I mean," I said cheerily.

Silence.

"You know, I'm looking to plant my flag. Preferably in virgin soil. Right?"

"...."

"Um, I want a taco to put some beef into? A kaiser roll for my big salami? Taking the beef bus to tuna town? Any of this ringing a bell?"

"Are you Otas's friend, by any chance?"

Damnation.

Three cabs later, still no luck. This time I got a Hindu with a heavy accent. Cultural references to tacos, burgers, hot dogs and hoagies were lost on him, so I immediately demonstrated, with a handy Barbi doll I keep for just this sort of situation, what exactly I was after.

He asked me a short question, with a rising lilt to the voice. It sounded like a request for confirmation, so I nodded in the affirmative. He nodded back, produced a Ken doll from an inside pocket, and pulled over. "For this one, I just made varsity," he explained, "and we're both going away to college in the fall."

Well, I thought, any port in a storm...

.....

Ah, New York. Like an adulterous relationship with a tempestuous mistress, I return to her city streets guiltily and furtively, remembering work to be done back home, a house that needs work, a girlfriend that requires listening-to, bills that need paying. But all too late to think of duty. I walk these streets confidently, assertively. I am no tourist. I might as well be a native, I thought to myself. I wear the same Hawaiian shirt, the same cutoffs, the same I Heart NY t-shirt and the same city map and tour guide. I fucking blend, people. Now, where does Winona Ryder shop, again?

McKee Vocational High School, where the legendary Frank McCourt taught for...you get the ideaToday, though, there's no time for asinine rubbernecking. I'm on my way to Staten Island, to check out McKee Vocational High School, where the legendary Frank McCourt taught for eight years almost half a decade ago. After reading his memoirs, I know the route like my own name: subway to the Staten Island ferry, ferry over to the island, up the hill three or four blocks to the school. I want to retrace these steps, see the city and its duties the way he saw it. I want to see the window he stared out of while wishing he could write a Pulitzer Prize-winning memoir, become a household name, and then write subsequent memoirs extolling and condemning the perils and pitfalls of public school teaching, which is why, I'm told, he now has a glass of wine every first day of school in the morning, instead of schlepping off to preach to the masses about the values of literature, dodging spitballs all the while.

Not that I'm looking for a similar roadmap to success, mind you.

Staten Island is a virtual cultural mecca, completely overlooked by those snotty Manhattanites. Neighborhood bars with $2 PBR, corner groceries that sell beer By! The! Bottle! A lovely industrial section, with railroad tracks going every which way, and a refreshing breeze bringing in industrial smog and city carbon dioxide from across the bay.

I tromped around a bit through the neighborhood, snapped pictures of the school (anyone who gives a damn can see the rest of them on Facebook, I suppose) and walked into the loading dock. A maintenance worker glared at me as I explained to him (with just a pinch of falsehood) that I was a former student who wanted to know if I could get a look in the building itself. "I'm not from out of town," I assured him. "I hate it when out-of-towners come here to gape at where McCourt taught, don't you? Not like us natives. Those damn tourists are a pain in the ass, yo."

My feet touched the floor a couple of times as I was escorted out, but not before I saw a hallway. Mammoth. Absolutely mammoth. The damn school is built like a prison. Classrooms with what looked like iron doors. Gates keeping them from escaping. I made a mental note to talk to my principal about a new building plan.

Back to the city then. Matt and I ate and drank our way from mid-town to Brooklyn, and the next couple of days were more or less a haze. To be fair, he was more or less productive in the mornings: a leather suit, glitter on his chest, and he was off to the "office" to "earn a buck." I asked no questions. Safer that way. But the evenings, those were spent seeing the occasional friend (Wiggo, one memorable evening, where I learned of his evolving social/romantic/professional life), Mary another. The last night there, I of course forget my jacket at a bar. My flight leaves in an hour, and I'm suddenly frantic.

"I don't think you have time to get it and make the flight," Matt commented, glancing at his watch for perhaps the tenth time in as many minutes. He'd been making such concerned remarks over the past few days: "You're sure you're leaving Thursday, right?" and "If you want, I'll kick in for an earlier flight." Such compassion.

"But it's my lucky jacket," I whined. "It totally works with the ladies."

"What ladies would those be?"

"Waitresses, hostesses, strippers. People who are generally paid to make me happy. But besides that, it's all the jacket. Plus, it's got my Ribfest sticker on it."

A brisk ten-block walk to the South Street Seaport (another cultural mecca, by the way, and it's so not a tourist trap, which is why I go there all the time to drink ten-dollar Amstel Lights), a hurried exchange with the manager, and my jacket is back in my hands. But the flight leaves just ahead of me, so I weather another night in Brooklyn ("There are flights tomorrow morning, right? There are. Well, what about a red-eye? You could go see Nova Scotia!") and then back to LaGuardia, where, it turns out, the nine a.m. is sold out. And the ten. And the eleven. And...oh dear, the standby list is over a hundred, and the ticket agent is handing out lottery tickets for a Fight to the Death for the next available flight. I don't kid myself that I'd make it past the first contestant: a forty-two-year-old mother of three headed for her brother's wedding.

I call Matt. Get his machine: "I've moved. Don't call here any more. And I want my glitter back."

I call Wiggo: "Oh yeah, 'evolving' social life, is that what it is? Go screw yourself."

I call Mary: "What? Who is this? Listen pal, I think if I'd spent a wonderful evening with you, I'd remember."

Out of immediate options. No other flights, no buses, trains, no car pools. And the Michigan Shakespeare festival starts in a matter of hours. Time for plan B:

"Hello, Avis Rent-a-car? Do you have anything available for today?...You do?...Great, that's great. I'll be right there. Oh, by the way, have you ever heard the expression, 'burping the worm in the mole hole'? ...You have?...Great, I'll need directions and a couple of alligator clips. The safe word is going to be 'Puck.'"

Next: Part Two! Cross-country driving! The majesty of the eastern states! A triumphant return to my roots! And I pull over to use the restroom and eat a candy bar!

Monday, February 11, 2008

The Truth Table of Weeknight Taverns

Today I stopped in a bar on the way home to Have a Beer.

I know. I know. "When doesn't he?" the sage asks. Good question. Lest I should seem an urbane bastard, let me remind you: I live in the burbs. Starbucks are easy to find; comfortable bars, not so much. If your schtick is a crowded, neon-glared watering hole filled with balding has-beens shouting at whatever game is on (and it's got to be HDTV, no less for these bastards with their pushbroom mustaches and missing teeth), my neck of the woods is quite delectable; but if, like me, you long for the old days of pubs and a veritable drinking culture, you might as well be living in Salt Lake City.

Not so Joe's Place, which is a mere skip down the road from my humble home. We started hitting it mornings during my holiday break, and I have to admit, there's something to be said for guzzling Heineken while staring out the window at people headed for work. Every morning I pass the place, and I never fail to glance inside longingly: the morose bartender mopping up last night's mess; the overworked crew just getting off the night shift; the hard core alcoholics; and the hung over, nursing headaches over tomatoe juice and Budweiser. Roll of booze, hear my cry, I call to them. I am one of you! Now save my seat, or I'll kick your asses.

It was a crappy Monday today, one of those days where you leave wondering, had you been born in the 19th century, would you lumber home on a morning like this, head full of existential angst over your place in life, your career path, your overall health and karma...or would you be too busy trying to survive while doctors fed you opium and sawed off your limbs?

Ah yes, simpler times.

So, completely independent of my own conscious thought, I found myself wheeling into the parking lot of Joe's for a $1.75 Heineken. I'd decided to Have a Beer.

Having a Beer calls for a certain approach. I've not had much practice in Having a Beer. I've Gone Out for a Beer, true: there, the objective is to celebrate the end of a day or week by consuming as much as possible, without stepping over the line and screwing your short-term sobriety too badly. If Going Out for a Beer is a journey with a tangible end (drunkenness), Having a Beer is a meditative, introspective act, and it demands a certain sense of dignity, one I'm not likely to find in myself as I pound the bar furiously while calling Tso a buffoon for subscribing to Libertarianism.

Actually, I've only recently understood Having a Beer; if you're not out to get wasted, why not just have a Coke? But the beer itself is a reward, a garland for the exhausted Greek athlete, I suppose. The beer itself matters less than what it represents: Victory. Or, in my case, Survival.

If you don't want to Have a Beer, or Go Out for a Beer, you can always Get Drinks. "Let's Get some Drinks" used to be a danger sign in most places I worked, up to and including my current occupation. It was an open door policy: the more the merrier, true, but x amount of people fed into the equation equals a certain number of hours out, of money spent, of poison ingested. If, say, Tom Haldemann were to send out an e-mail tomorrow, "Out for drinks at 4," the danger would be minimal: It's a Tuesday, most people are going to work late or go home; Tom is not, shall we say, universally liked; e-mail invites are routinely ignored, etc.

But if John Pepper sends out such an e-mail, as in "We're going out for drinks at 4," the equation shifts: John has something political to get off his chest or he wouldnt' be offering; John will scare several others into going and I don't want to leave them hanging; he owes me two rounds and this is my chance to get paid back.

None of that is likely in the second week of February, especially while we're in the midst of all this damned snow. I'd worked late, not really wanting to stay but hating the thought of rattling around an empty house in the mid-afternoon with anything school-related on the brain. So when I Had My Beer, it tasted more like water down a Welsh warrior's throat, the cries of the dying surrounding him as his king stares at him inscrutably. Only I had no king to adulate, the battle was far from over, and I can't shoot a longbow to save my life.

The bar was relatively empty, but what it lacked in population it made up for in volume: the Juke Box O Matic was blaring something by the Scorpions, and two guys on my side were bellowing at each other about their wives. No fooling. I make claims like that sometimes, they're total crap, but this was true: "I just said that to fuck with you!" the first guy called.

"Yeah, better fucking with me than with your wife!" the other catcalled.

"Better than fucking her in the ass, you mean!"

And on and on, and I knew I could never reproduce the conversation believably. It would look too cliched. And isn't it pathetic that was what I was worrying about, sitting in a bar all by my lonesome, guzzling cheap Heineken while the two guys on the other side of me watched a high school volleyball game on TV with, shall we say, more than usual interest. That I wouldnt' be able to tell about it and make people buy it.

I could have sat there all night. Cars were passing out the window. My mind, weighed by the minutae of daily teaching while at school, found itself strangely untroubled in that dump. I started glaring at everyone around me: "What're you so happy about, asshole? Bet you don't have to redo curriculum. Bet if they ever gave you a study hall, you'd run screaming. What's that you do, lay bricks? Come over here and lay on my asshole."

It's a bad idea to be eyeballing so many of this sort. They're not bad people, but they're not used to taking crap from anyone (one reason, I suppose, they're not co-workers of mine, watching fifteen-year-olds roll their eyes and shoot water bottles across the room), and they're certainly not going to take it from yours truly. When the volleyball watchers started glaring at me and the wife-fuckers on the other side started scaling back their conversation in favor of curious glances in my direction, I realized I'd been muttering to myself. Bad habit. Thought I lost it years ago. Wasn't even drunk. So either get drunk now, Teacher Man, cover your tracks and dive into the bottle, or get out. Go home, put on Jane Austen from last night, maybe have a glass of wine. Show those Philistines.

So that's sort of what it likes to Have a Beer on a Monday night. I'd like to try Getting Some Drinks tomorrow night, but I think it's much more likely I'll Down a Brew when I get home, and maybe Go Out to Imbibe Wednesday or Thursday night. Or maybe I'll just wait until Friday and Get Plastered. There ought to be a flowchart for the options you're supposed to exercise. Me, I'm reduced to a self-created blog.

Monday, August 07, 2006

8 Ways I Have Proved Myself an Idiot in the last Seventy-Two Hours.

What's that, you ask? Only eight? Not an even ten? Go screw yourself.

8. Thought garage door was broken until I pushed on it. Real hard. Neighbors stared and murmured to each other. Two teenaged girls giggled from across the street. I swallow and strike a masculine pose.

7. Popped my head into my new classroom today. Met resilient wall of storage boxes. Surly, overworked custodian supervisor tells me I had to put in a work order in order to move me into a room I don't want, with no filing cabinets, not enough space, no windows or ventilation and science lab-type counters along the perimeter. "Sign here, asshole. In triplicate. What are you gonna do anyway, I'm union."

6. Hauled Kim's VCR and stereo into bedroom in effort to set up after hours entertainment studio. Universal remote won't connect, so I waste ten minutes on the Web, twenty minutes on hold with Zenith, and eighteen talking to a representative of Magnavox Televisions. After giving her my model number, I'm informed my television doesn't exist. And I say, "That makes sense. Thanks."

5. Bumped into a former student at Union Station and spoke with her for about twenty minutes. As I filled her in on the goings-on at her alma mater and congratulated her on what I was sure was an outstanding internship, she continues to look puzzled, confused, and then downright petulant. Ten minutes later, as I'm walking down Adams Street, I realize she was a student from a different school, and that she was probably headed to an actual career.

4. Spent forty-five minutes checking answer keys on my Amazing Series of Vocab Tests only to discover the answers in the back of the book. Straight to the liquor cabinet--"Oh, look here! John left tequila! And it's only a year old!"

3. Got bombed at 11 a.m.on the Monday before the Monday before I go back to school. See #6.

2. Cleaned out garage, currently filled with Kim's detritus from medical school. Stacked boxes carefully on side of wall, leaving room for the car. Realized I'd stacked them over my detritus, including school files for August, my tool box and extremely fragile fishing gear. My back screams at me as I dig them all out.

1. In renewed effort to be healthy, bought several pounds of fresh vegetables: carrots, spinach, tomatoes, collard greens and kale. Made room for it in the fridge by throwing out the carrots, spinach, tomatoes, collard greens and kale I bought a month ago in an effort to be healthy.

Thursday, May 30, 2002

Anatomy of a Rejection Letter

Contrary to what this sounds like at the offset, I'm not a bitter man. Or boy, or child, or thumb-sucking baby whining about there being the need to exert effort in life in order to obtain the things one wishes. (Shit, I can't get the cap off my beer bottle. I think I'll scream until Kim comes to undo it.)

So this isn't whining I'm attempting here--it's rhetorical analysis. (The whining is an added bonus.) After all, I have finished my graduate work in rhetoric, have I not? Am I not a tall, sprightly, steely-eyed college graduate, capable of discovering exigesis in the most unlikely places? And if I'm not, can I fake it?

Absolutely. To demonstrate, let me recount the latest in what I'm sure will be an even longer line of rejection letters. I give you the one from the Shit College, which I had the honor of receiving today.

First of all, let it be said that this is a letter I pretty much expected from the start. I don't personally know anyone from my neck of the woods who's ever landed a job there, except one person, and I sort of assume she's been fired by now. So getting this letter wasn't a big slap in the face or anything--probably the fact that they bothered to send a rejection letter in the first place speaks rather highly of me as an unemployed teacher.

Second of all, Shit College does not mean "bad" college, but "good," as in "That college is the shit!" Why was this pessimistic from the start? See Reason #1 above.

Third, I am something of an expert in rejection letters. In the past four months, I've received them from high schools, junior colleges, two-year and four-year colleges and even overseas schools (some written in fluent English, some not). So I've been let down easy, and I've been let down abruptly before. Nothing new. In fact, let me go so far as to say those who only go after "sure things" in any employment arena without risking such letters are nothing but a bunch of high-rent pussies. "Going for it" is tough enough; going for the gold is what separates the men from the boys.

Having stated these disclaimers, let me get to the bare bones. Shit College needs a few lessons in the very rhetoric I am proposing to teach their students. This is, bar none, the dumbest rejection letter I've ever gotten for anything, including that high school bitch who wouldn't go to the Winter Dance with me. Her letter consisted of "Dear Gregg: I like you, and maybe I like you like you, but I don't really like you like you. Or else I really like you like you, but I don't like you like I really, like, like you. Wait, let me start over..." I had to go on medication drugs after reading that sucker. But that was Tolstoy compared to what I have in my hands right now:
Dear Gregory J. Long:
See? Right off the bat they screwed up. All my materials went out signed "Gregg Long." My father must have gotten to them, damn it.
After much time and careful consideration of each applicant...the Search Committee has submitted the list of finalists to the administrator. We are pleased with the number of well-qualified people who applied for this position, and are especially pleased with the outstanding strengths and accomplishments of those who emerged as finalists.
Right now, warning bells would be going off in my head if I didn't know better (that is, if I didn't know that receiving a letter rather than a phone call from an institution of higher education is pretty much the kiss of death). Apparently I was up against a ton of qualified applicants, which is never good news, especially for me. I've made a career throughout my life going for the popsicle stands and roller skating rinks purporting to be business establishments, so as to better distinguish myself. This is not something I can do while surrounded by people who are genuinely successful.
Our only regret is that we were unable to interview more (applicants).
Notice that we're one paragraph in and I haven't even been personally identified yet, save in the salutation. I have learned that there were a ton of great people who are finalists, though. Gee, I guess that must be a good sign, nuh?
(new paragraph) I apologize for keeping you in suspense for so long.
Now is that suspense over the materials I mailed to you back in fucking February, or suspense over this entirely useless first paragraph while you pat yourself and your other butt-buddies on the back over making the Queen's List...I mean, Dean's List? Cut to the chase already, will you? At least within another page.
I regret having this duty of telling you that you are no longer being considered for the position.
Whoah, I just about had a heart attack there. A real shocker.

Where to start with this sentence? "I regret having this duty of telling you" is, besides being excessively wordy, clearly an appeal to my pathos, or to my finer sensibilities: i.e. I'm to feel badly for her having this duty, and if I'd been a better-qualified applicant, she wouldn't now have to be going through the pain and agony of telling me to flake off. "You are no longer being considered" has other presuppositions, ones that are decidedly more shadowy. Was I ever truly "considered?" Or does "considered" entail no more than my letter sitting on some ditzy, gum-chewing secretary's desk for a week or so while she played "Eenie meenie" to decide which would go to the Search Committee, and which would be taken home for her four-year-old son to draw pictures of Mugworts battling Annakin Skywalker?
We truly appreciate your interest in College of Shit and your willingness to apply. We respect your abilities, accomplishments and the many contributions you have already made to the enrichment of our common profession.
Now which common profession would that be, Harriet? Teaching English? I know that can't be it; else you would have written "we appreciate your interest in the College of Shit." And I know damn well it's not teaching "Writing Rejection Letters 101" because you'd have failed hands-down. As for my "willingness to apply," that's a good one--I grant you that. Translated, it goes something like "You took time out of your busy schedule of heavy boozing and bowling to write a letter you knew damn well wouldn't make the cut. That says something about the nobilty to be found in futility. You should work that into a freshman comp lesson plan...too bad we know better than to let you do it at our school." Furthermore, if you truly respected my abilities and accomplishments, you'd probably be able to spiel off at least one of them, and then tell me why that didn't do it, right? Don't bother scrambling about for the file; your four-year-old already peed on it.
(new paragraph)Thanks again for giving us the opportunity to consider you for the position.
Sure, no problem. I bet you guys get a real kick out of dangling carrots in front of tethered mules, too.
I wish you the very best in obtaining your career goals.
Yeah yeah yeah, blah-de-blah blah blah.

Worst rejection letter ever. Think about the logistics of the situation. You want to teach how to write rejection letters, just like you'd teach how to write cover letters or successful resumes (see NIU's Education Employment Guide). In each of these cases, you're given a template to work with. The template here would be downright dangerous:
1st paragraph: Tell what a great time you had recruiting. Make it clear that the reader hasn't made the cut without explicitly saying so. Praise all the others who did. Drive his ambition into the dirt, but save a little for the second paragraph.
2nd paragraph: Let the ball drop. Make a few vague references to his skills, but make it clear that they're still below your standards. Thanking him for trying in the first place is optional. Wishing him luck is mandatory (what else can you give the poor slob?).
Still, all things considered, the joke's on them: I'm not graduating until December, so I wouldn't have been able to take the job anyway. Ha! Showed them, didn't I?

Thursday, April 25, 2002

Counter-point-counter:

This week: Jennifer Lichner, English Grammar Student, vs. Meleena Beer, English Grammar Instructor.

This is not the real Jennifer, but only a stand-in model

I So Don't Need Grammar Instruction

By Jennifer Lichner

Oh my God, I cannot be-lieve this instructor of mine. I mean, when midterms came up and I saw her name, I'm like, "You're not even the real teacher. That creepy tall guy in the back probably is." And she is so impossible.

Not only are we supposed to memorize all these parts of speech, but we've got to know, like, clauses and participles too. I mean, who cares if it's "I wish I was a millionaire" or "I wish I were a millionaire"? Somebody's really going to ask me that in a job interview, I am so sure.

Besides, we covered the rest of this junk in high school! Why do we have to go over it again? It's just busywork. I am so disillusioned with higher education right now.

Look, it goes like this. We get weekly quizzes, lectures, and three exams. And all we have to go on is the book and our class. How am I supposed to write down everything that's said in a class that's over an hour long? If it were about poetry or something I might be able to pay attention, but she and that Christopher Walken-guy are in Grammarland if they think this is interesting stuff.

Hear that? That's the sound of my notebook bursting apart at the seams because of all the notes I have to cram into it. That's also the sound of me slamming the phone down in disgust because I had a fight with Jake--he wants me to come over and watch Zoolander but I've got to study for this stupid exam instead. Thanks a lot, Melina. You're ruining my life.

P.S. Your hair is stupid.




This really is Meleena. Sad, isn't it?

Somebody get me a fucking drink

By Meleena Beer

Holy God, we're in Clueless! Change the channel, quick!

The problem with this stupid bitch is she's still looking for the handout she's been getting all along from Mommy and Daddy. Newsflash, Ms. Edison: You can't bribe your brain with another six months' car insurance and a cell phone. You've got to study, and in case they forgot to cover this in the John Hughes/WB hybrid of a high school you undoubtedly attended, studying does not mean doodling Hello Kitty and band insignias in the margins of your notebook while blasting Creed with the bass jacked up.

What's the difference between "was" and "were"? About $50,000 a year, if your corporate boss uses the tense correctly and you don't. It's called the conditional, you stupid cow.

Jesus Fucking Christ, I need a drink. If you went over all of this in high school, Barbie, you wouldn't be in my class right now, chewing your hair and drawing heart symbols on your goddamned knee. Pop quiz: How many nouns are there in the sentence "Who, me?" Holy God, she's actually counting on her fingers.

Hear that? That's the sound of my patience not just wearing thin but bursting apart at the seams. I promise not to grade your exams with any editorial comments--if I did, I'd probably get fucking fired--but if you ever want an opinion, you can bet the ten cans of hairspray you dump into that poif of yours that I think you're a leech on our fair campus, deliberately siphoning off part of the state's educational financial budget towards an oh-so-fucking-promising future in waitressing or professional suntanner on your parents' porch. And my hair is not stupid--you're just a goddamned moron.

Fuck me, who needs a drink?

Wednesday, April 24, 2002

The Open Letters Campaign

That's right, another dumb project to keep me from returning to work. The Open Letters Campaign is designed to give everyone out there a piece of the Flannel Diaries action. And since I just got a semi-fan letter (okay, just a letter, so sue me), we'll start with her. Contestant #1, get your ass down here!

An Open Letter to Stacy:

Dear Stacy:

That's right, Stace, I'm talking to you. Everyone else can go sod off.

You're great. You're aces, Stacy kid. You're a gentlewoman and a scholar. I thought I was da' bomb until I met you, and then I was forced to crawl back under my rock of shame and wither away to the pathetic nothingness I've been thus far clever enough to hide from the rest of the world. No really, I mean it. I know you're laughing right now and covering your face in embarassment, but listen girlfriend, get those hands away from that face and let your proud visage shine for the rest of the world to see.

Since we're talking, Stace, let me tell you a little bit about my graduate studies as of late. I just turned in an American lit paper and am beginning to think it might not even be worth the paper it's printed on. I know you say that a lot, but then your papers come back clean, sparkling and with an A and a smiley-face sticker on the front, whilst mine...well, I'm lucky if they even come back at all. On one I found a poison control sticker. On another, the teacher drew a picture of me sniffing glue and wrote beneath it: "I want you to stop doing this."

Well, that's all pie in the sky. (Do you have any glue?)

I know you fawn over my behind my back. It's okay. Lots of women are intimidated by my good looks. You can be too. I remember the first day we met, and how befuddled and out-of-sorts you were around me:
Stace: Hi, I'm Stacie Proovin. How are you?
Me: Yes, I do have a beautiful behind, thank you for commenting.
Stace: Huh?
Ah, the memories will last us a lifetime. Remember those hot summer nights, Stace? You and me under the slowly rotting sycamore along the banks of the refuse-saturated Kishwaukee River? Talking poetry, politics and propaganda? Long, slow sips from a can of Malt .45 Liquor? Slow drags off of a Phillies blunt? The possum that bit you on the leg and all I did was laugh? (Hey, I never said I was brave)

Well, here's what I want you to do, Stace. You print this letter out, and you stick it on your refrigerator door. And every time your husband comes home, or the kids you may or may not have in the future come clamboring for attention, or when the IRS man comes banging down your door at tax time, you haul out that letter and thrust it in your face and you yell at them: "Look here! Gregg thinks I'm awesome! If that isn't proof, tell me, just what is?"

And we all know what they'll say. "Gregg who?"

Sincerely yours,

gjl

Saturday, January 12, 2002

I might get in trouble for this...

Picture a man (or me, if you're going for realism) comfortably reclined on his sofa cum bed, a barely-read novel in his hand, the TV blaring The Simpsons with only half the usual amount of static, and a cat comfortably sleeping in a new bed (it being some three hours before said cat would decide to pee in said new bed). Kim is buzzing around getting ready for a small party we're going to in Sycamore, but I'm all decked out in my finest: sweat shirt, t-shirt, blue jeans without holes. It's the ideal kind of Friday night: somewhere to be, but nowhere too hectic. If this were a Norman Rockwell painting, I would have finally graduated to the old man with the pipe rather than the geeky red-haired eight-year-old who's always showing his rear end in the doctor's office.

Then a phone call comes. Kim answers it, mutters a few quick replies, then hangs up. My curiosity is mildly piqued at the quizzical look on her face. Upon mild interrogation, I learn that the host of the party just called on account of a show that's supposed to start on time.

My Spider Sense starts to go off a tad here. Previously, I'd been told this was a tupperware party, but one with free booze and food. "I'm there," I said.

Then I learned it was a candle party, but still with free booze and food. "Well, I'm still there...I guess," I said.

Then, after that phone call, I learned that there was a candle show to go along with it. "This doesn't have anything to do with me dressing in white robes and carrying a candle to some kind of altar for a human sacrifice, right?" I asked. "Okay, I guess I'm there."

It doesn't particularly speak well for my intelligence to note that I was more or less ambivalent about going to the party at this point. Key words like "presentation" "representative" and "candles" were not added together accurately in my subconscious; else I would have run to the hills like any sane person. And yet, I can hardly be blamed. I've heard of Patty Brite Makeup Girls and their suitcases of products. I'd heard of Avon calling. I vaguely remembered walking out of some kind of water purifier conference in Chicago some years ago. I'd never heard of someone selling candles like this.

Of course, I've never heard of a dating service for men who like sheep. But if I heard "dating service," "men" and "sheep," I suppose I could figure it out. Sadly enough, I did not figure last night out in time.

Well, we got there right in time to catch the last three-quarters of a fairly lengthy presentation on candles. There were short candles, long candles, middle-length candles; there were glass candle holders, multi-layered holders, ceramic holders; there were combinations of all of these hastily cojoined by some mad scientist in a mad scientist's candle making laboratory. The lady giving the presentation was effective enough--she knew enough about her material to keep an ongoing flood of commentary on the product line. The trouble was, she could tell by the look on my face that I didn't give a good goddam about candles, which made me minutely uncomfortable. I don't like to silently begrudge someone giving a presentation for their own livelihood (unless it's the band Like Hell opening for the Cult).

If that were all the evening provided, though, I could have lived with it. But things got a little weird soon enough.

First, the presenter had a strange little rule: Every time you heard the word "candle" you had to pass along a small candle that was being hot-potatoed around the room. If this were a lecture on the Big Bang, or perhaps the history of the automobile, it would have been a tad less distracting (again--not that I could have been distracted: distraction implies interest, and interest I had none). But since it's a presentation on candles, I couldn't help but wonder how this woman expected to keep anyone's interest for more than a milisecond if they were listening so hard for their turn to pass along the candle:
Presenter: Now when you light these candles--
Customer #1: Hey, she said candle! Pass it along!
Frenzied, drunken passing of candle. Wine spilled.
Presenter: Good job. Now like I was saying, when you light these candles--
Customer #2: Candle! Candle!
Another frenzied, drunken fumbling.
Customer #3: What were you saying about that candle?
Presenter: I have no idea--I didn't get that far. I was talking about this...thing (You can tell she's hesitant to say the word again, for fear of losing her audience's attention). You can use it on holiday occasions or just to set the right mood.
Customer #2: (drunk beyond human capacity) You're talking romance there, baby!
Presenter: Yes, the best way to set a romantic mood is by lighting a candle--
All: Candle! Candle!
Candle gets passed around; several more drinks are knocked to the floor.
At this point, I decided to get as drunk as I possibly could, and in the space of twenty minutes I downed three glasses of Merlot. Kim kept casting apologetic looks in my direction, which I perversely ignored. The two guys whose apartment this was taking place in sidled up to me and told me to go to the bathroom if I felt like throwing up, though I didn't know if he meant from the wine or from the presentation or from the rapidly-evaporating ennui from the repressed housewives around me.

It was a lot like being in a high school classroom, I must say. The presenter would start in on a monologue, one of the drunken housewives would chime in with a quip, everyone would giggle their asses off, and one or two more or less sober people would be reduced to hissing "Shhh!" to everyone else while the head presenter either smiled and kept talking, or smiled and waited for the ruckus to die down. I sympathize--I'll take a Basic Junior English class any day over those broads.

The topping "group activity/game" (a torturous phrase to me--it reminds me of those dorky getting-to-know-one-another games we used to play at Smelly's Camp when I was a wee slip of a lad) was called "Pass the Candle When You Hear the Name of a TV Show." Then the presenter read a fairly long speech about becoming a representative of the candle company (much like an Avon Lady, I would imagine) with the proper enunciation on certain words:
"I'd always wanted to live in a Little House on the Prarie, but I was Married With Children. So my dreams weren't quite there. But The Facts of Life are we all have to work hard at what we want, and these candles are a way to do that. You can be part of The A-Team of candle-selling and you and your family can all have a Silver Spoon in your mouth.
Everyone was congradulating himself/herself on managing to ferret out all the TV Show names when the clapping died down and all eyes fixed on me. The candle was still in my hand, where I had refused to relinquish it.

"Silver Spoon was no TV show," I said arrogantly. "I think you mean Silver Spoons."

Well that put everyone off their marmalade, and the presenter ran off into the nearest broom closet to cry her eyes out over my ruthless exposure of her ignorance of TV minutia.

Okay, okay, that didn't actually happen. I didn't even say anything about this little faux pas of pop culture, but I wished I had. At this point I'd downed most of the bottle of wine, and all the lit candles around me were beginning to swarm together in an eerie montage of lights, like one of those high-speed photographs of Lake Shore Drive. So smart-ass remarks would not have been out of the ordinary.

Then evaluation cards were passed around:

Question 1: Rate this presenter's performance from a 1-5.
My answer: "Not applicable. To me, candles are for getting rid of fart smells or cat pee reek. I can't see buying a crystal decanter for this purpose."

Question 2: How interested are you in obtaining more information on our merchandise?
My answer: "Not applicable. I haven't really gotten any information on this merchandise, though that's not the fault of the presenter."

Question 3: How interested are you in becoming a sales representative yourself?
My answer:" Not really interested at all, but what about combining it with bachelorette parties somehow? I could go into a striptease dance, and keep pulling out candles and somehow incorporating them into my act. Then, at the end of the show, they could be hosed off and sold."

I never did find out what the last two questions were. Kim took my card away from me and burned it before anyone could see it.

The good news is once the presentation died down and the crowds thinned, the evening was spent pleasantly enough. Kim showed off her wig, Scott showed off his computer, Bob played with his nephew, and I lowered the level of their wine bottles inch by beautiful inch.

But now I've become pathological about candles. Don't even mention them to me.