Showing posts with label Concert review. Show all posts
Showing posts with label Concert review. Show all posts

Sunday, March 10, 2013

Local artist's performance gets rave reviews, and gets me tail

MIDNIGHT, CHICAGO--I'm at the L'An Riche, the swankiest, trendiest, most elegant restaurant this side of the Mississippi and other side of Elkhart, Indiana. The place is dark, intimate. Across the table from me sits Victoria Beckham, model/singer/businesswoman currently in a transition, she tells me, to actress/model/lingerie tester. Tall, curvaceous, lissome, with an elegant bearing and nice boobs, she epitomizes grace mixed with raw sex appeal. Her long lashes bat at me flirtatiously from across the table and her left foot is gliding up my pants leg. I stare at her sullenly. What a fucking bitch.

"How's your veal," she purrs.

"I hate it," I sulk, pushing it around on my plate.

"Maybe some wine will help," she says, pouring me a glass and stroking the neck of the bottle suggestively. Once the glass is poured, she pushes it over towards me, allowing our fingers to touch. I smirk, grab the bottle, and down a few slugs. Then I wipe my mouth with my tie and slouch back in my seat sullenly.

"So anyway, I was saying I'm just so fed up with our society's social mores," Beckham continues. "I mean, the idea that we can't have what we want when we want it is so unbelievably primitive when you think about it. The idea that sheer animal magnetism is absent our civilized species is a throwaway to a Victorian morality that does our primal psyche no good."

"Yup," I respond when she pauses. I have no idea what the hell she's talking about.

"For instance, the notion that sex should be interlocked with some type of relationship, however brief, simply isn't healthy. I mean, look at you and me together. What's to stop us from going back to my place, dimming the lights, and having me strip for you and pleasure you while you watched ESPN? Just our stupid culture's obsession with values."

"Right," I say when she pauses again. "Values. You nailed it."

"And speaking of nailing," she says, biting her fingertips softly and, when my attention is distracted by a dust mote floating gracefully through the air, grabbing a bread roll and thrusting it into a muffin vaguely shaped like a woman's behind, "I have a redheaded model friend  who said she's at my place right now, absolutely naked, chained to the bed, waiting. For us."

"Fantastic," I say, doodling a monster truck onto the menu. "She can have this veal. It sucks."

"So even though the answer is perfectly obvious, I'll ask you anyway: Where would you like to go after this?"

"I think we both know the answer to that," I say, leering appreciatively.

"I think we do," she asserts.

"You and me..."

"Uh huh..."

"...with nothing to come between us..."

"Oh baby..."

"...except Brendan Losch's solo performance." I whip out the stage bill and flash it at her with what I can only guess is erotic abandonment. "He goes on in two hours, so we'd better leave. Right now. So I can get a good seat."

Beckham sighs heavily. "I don't quite know how to tell you this..."

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Except she does, as it turns out. The only reason I'm at this posh restaurant with some broad for whom, I'm told, half of Chicago would gnaw their left testicle off in order to get a shot at, listening to her prattle on about her high-power celebrity career and disdain for undergarments, is because Brendan's band manager, in a last-ditch effort to get rid of me for the evening, bribed her to take me out and keep me away from his show. In fact, as we sit here, a mere four blocks away at Cafe Mustache, Brendan is setting up for his gig. And what with Aaron Sandberg and John Morton accompanying him, plus Erik Bostrom sitting in the audience throwing empty beer bottles at their heads, it's the closest thing to a Bullets in Madison reunion this century is likely to get.

"So, let's run through it again," Brendan is (probably) telling John and Aaron right now. "First song, I'm on guitar, Aaron, you're on cymbals, John, you stand behind him and look pretty."

"As if I could look anything else," John retorts indignantly.

"Next song, John, you're on the cymbals, Aaron, you're on tambourine looking moody."

"I majored in that in college," Aaron asserts proudly. "Looking moody, I mean."

"The next two songs, I want you guys on either side of me, gently working the cymbals and tambourine, and then after that, Aaron can do background vocals, caressing the microphone stand and looking moody and discontent. John, you lay out on the floor and whistle backup."

"We got this," John assures him. "We're going to sizzle. The audience will be remembering this for at least a half hour."

"And one more time, where's what's-his-name? That tall guy who thinks he's a reviewer?"

"He's at that fancy Frog restaurant with that former Spice Girl," Aaron says, checking his iPhone. "I paid her twenty bucks, so she'll be all over him like Roseanne Barr at a buffet. No chance he's showing up tonight."

"Then I guess that's it," Brendan says. "Okay, let's set up the tambourine over there, and the cymbals over here...John? John, what's wrong?"

John's face has gone white and he shrieks like he shrieked that one time when he found out that men's fashion store would be out of Spritz cologne for a month. "I forgot the cymbals!" he yells and barrels through the already-crowded cafe, shoving several groupies and BiM-emulaters out of the way so he can make the fifty-mile round trip back to his tenement apartment on the poor side of town to retrieve his cymbals set. Behind him, Aaron is snickering.

"I hid them in the closet," he tells Brendan. "Now let's go get a beer and stare at our phones."

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All of this is a reasonable surmise on my part, but since I'm not actually there but instead getting my time wasted by this prattling simpleton in front of me, I don't get to see it. Which just goes to show you once again: there is no justice in the world. Nor decency. Nor good veal, for that matter, which this dump I'm sitting in could say plenty about.

"Did I show you my tattoo?" Beckham whispers throatily into my ear. For some dumb reason, she's now sitting next to me in our secluded booth, with one thigh draped across my lap and her arms around my neck. I stare embarrassedly at passers-by, gesturing towards the empty seat in front of me, raising my eyebrows and point at her as if to say, She's a little dumb. What can I tell you? "It's of a comet," she breathes. "Right next to my...special place. Want to see it?"

"Nah," I say, rolling up my sleeve. "Now here's a tattoo." And I show her my pride and joy, up on my shoulder: Brett Michaels' made-up face, emblazoned with the logo "Open up and say Ah!" She looks suitably impressed.

But not impressed enough to pay the check, call a cab and get us the hell out of here over to the show in time for Brendan's full set, where he'll be playing music that has so far garnered the attention of XRT MTV and the Home Shopping Network. I grow desperate. And as William S. Burroughs once said, Desperation is the raw material of drastic change.

So as she fiddles with her bra strap and talks incessantly (and a bit irritatedly, it now seems to me) about the Kama Sutta or something like that, I whip out my Bic lighter and surreptitiously set the table lining on fire. The resulting chaos should buy me ten minutes to shove past her out the fire exit and grab a cab, so I can make the show. The subtlety of this plan is brilliant, I realize, and necessary. And as Plato once said, Necessity is the mother of invention.

Anyway, dear readers, that's the best I can give you at the moment, as I am currently en route. So if it's not too late, go check out the show, and if John has those cymbals, rest assured, they're going to rock the joint. If not, whatever. Because, after all, as Brendan Losch once said, They won't give a shit. Or something like that.

Which would you take? A no-brainer.

Thursday, December 15, 2011

The Infernals Take TJ's and Texting to Town

"Are you guys ready to rock?"

Lead guitarist Chris Dewey stands before the crowd of rockandrollophiles before him at TJ's Bar in Palatine, arms outstretched, fingers flipped into devil's horns, a gleam of defiance in his eyes and lip curled into a sneer Sid Vicious would kill for.

Dimly, electronic chimes jingle. He pauses and looks at an electronic readout.

"Hang on," my text reads. "I'm tying my shoe."

Some of the sneer evaporates, and he shoots me an annoyed look.

Another jingle sounds.

"Ok," my text reads. "Now I'm ready."

I put my phone away. Dewey tries again. “Now let’s get ready to—"

Ding ding!

"Ready to rock, I mean," my text reads.

"Fucking asshole," he mutters into the microphone, drawing a cheer. I look around in aggrieved innocence.

Normally, Dewey wouldn't get any of my texts during his concert. Normally, he'd be so enthralled with the thrill of a live performance, the drunken, admiring sway of the crowd and the delicate scent of buck-a-can Pabst Blue Ribbon mixed with urinal cakes, he wouldn't even notice any of my texts.

Normally, for that matter, he wouldn't even piss on me if I were on fire, whether I texted or yelled to him, "Hey, Dewey, I'm on fire! Ow! Owww!" Normally, if anyone asked who the reporter covering the show was, he'd tell them, "That guy? Oh, that guy is my half-wit cousin from Estonia. He's harmless. Just don't make eye contact with him. And don't put the fire out. He likes fires."

But tonight, the Infernals, suburban Chicago's third-most-popular children's-folk-turned-grunge band, are demonstrating the benefits of 21st century technology and what they can afford when they give up beer for an hour: a Text-o-Tron.

This digital monstrosity consists of a twenty-square-foot screen above the stage, emblazoning text messages sent from adoring fans, right behind them. Every message sent to 3-INFRL, it displays in fiery neon above the heads of Dewey, bassist Bryan Park and drummer Leo Salinas.


The machine has been busy. In the past half hour, it's been beaming requests, adamant orders to play louder, and the occasional Christmas gift wish. The band has incorporated all of this into their act with their accustomed ferocity, and it's truly been a sight to see.

Of course, Dewey isn't displaying proper gratefulness towards me for my text asking him to hang on a minute while I tie my shoe. Nor has he expressed gratitude for my other texts, sent in the middle of one of his guitar solos, reminding him to take out the garbage when he gets home and asking him where the restroom is. (Sometimes, I wonder why I bother writing these fricking reviews. I never met a musician whose fame didn't go to their head and make him too good to be interrupted by texted penis jokes during a show.) The band debated shutting the machine down after my text complaining that Park kept making funny faces at me, but Dewey nixed that suggestion after noticing a reasonably attractive blonde in the front row who may or may not have been making eyes at him. Even now, after three successive messages from me about whether or not the bartender had any more pretzels, he seems to be holding out for one from her. One expressing her devout obsession with the band, particularly him, and giving helpful tips on musical performance and her own measurements and her own proclivity for leather underwear and bondage.

Whatever. Texts and easy blondes aside, the show has completely captivated the crowd. Everyone from the middle aged brokers shooting darts towards the back to the bickering married couple near the jukebox seems to agree: These guys play music that sizzles. Their lineup tonight has ranged from growly originals like "You're Shallow, I Hate You, Die" (composed, according to legend, during one of the band member's honeymoons) and retooled covers of blues classics like "Boom Boom Boom Boom" (chosen, according to legend, because of its repetition of one of the few words Park can keep in his short term memory long enough to sing accurately). The band's chemistry has only deepened in the past five months since their last show, and rumors are starting to fly about a world tour in the spring and a line of Mattel action figures available as soon as Christmas.

But merchandise is only a side thought. This band revels in their showmanship.

"This next song is dedicated to anyone who's ever found themselves up against the world," Dewey snarls, preparing to launch into "Troubles," a blues number balancing a sort of adrenaline-fueled moodiness with rage and repressed homosexual frustration. (Or so I imagine. I haven't actually heard it yet.) "You guys may have troubles, but we've always got music to--"

"Tell Bryan those pants make his ankles look fat," I text him. Ding. My message immediately flashes overhead.

"Okay, seriously!" Dewey exclaims, throwing his mike down and glaring at me with the seasoned glare of a public schoolteacher. "Knock it off! This thing is not a toy!"

Humbly, I put my phone away and fold my hands in my lap, reminding myself to throw in a paragraph in my review about how he likes to wear women's clothes. "Sorry, Mr. Dewey," I mumble.

"In fact, screw this stupid invention," he rages, clambering up onto a chair so he can tear it off the wall and set it on fire. However, before he can enact this deep-seated desire, he catches a glimpse of the blonde in the front row shrugging and putting her own cell phone away. As she leans over to unzip her purse, she flashes an impressive display of cleavage. Dewey stares, a thin trickle of drool running down his chin.

"I mean...except for the ladies," he amends. "Especially ladies with platinum highlights and leopard-print bras."

The blonde looks up at him, batting her eyelashes.

"Yeah...because tonight is Ladies' Text the Infernals Night!" Dewey announces, all but falling off his chair and grabbing the mike again. "Ten texts of your bra size gets a backstage photo with the band!"

Park thumps an opening riff. Salinas dives into a solo.

A cheer rebounds around the bar.

The band soaks up the energy and launches into "Troubles."

The blonde shows some leg. Dewey howls and leers at her.

"I think she's a guy," I text him. My message flashes abovehead.

The blonde snarls furiously at me to mind my own business. But nobody else notices. Rock-fueled pre-holiday merriment is raging, and the Infernals, once again, are demonstrating that they can entertain even while they're busy hitting on cheap, easy women who may not be women.

And at the end of the day, isn't that what music is all about?